New trailer introduces Brie Larson’s Rosalina and Bowser Jr’s new voice
Nintendo and Illumination have unveiled the first trailer for “Super Mario Galaxy,” the next film in their expanding animated universe and a follow-up to 2023’s blockbuster “The Super Mario Bros. Movie.” The new clip, released by Universal and reported by Variety, sends Mario into deep space as he teams up with cosmic guardian Rosalina, voiced by Oscar-winner Brie Larson. The footage reveals sweeping shots of the star-filled Comet Observatory, whimsical planets inspired by the original Wii game, and a redesigned Bowser Jr., now voiced by actor-director Benny Safdie. Early reactions from fans highlight the film’s more adventurous visual palette and its promise of a story that leans harder into the series’ stranger, dream-like side.

The trailer also hints at a more ambitious narrative arc for Nintendo’s film franchise. References to Lumas, alternate galaxies and mysterious “star fragments” suggest a plot that could connect to future spin-offs or crossovers within the Mushroom Kingdom on screen. Mario’s usual supporting cast—including Luigi, Peach and Toad—makes only brief appearances, leaving Rosalina and her cosmic crew to anchor much of the footage. For Illumination, which scored a billion-dollar hit with the first Mario film, “Super Mario Galaxy” is an opportunity to prove that the brand can sustain multiple instalments without simply re-treading side-scrolling nostalgia. For Nintendo, it is another step in its strategy of turning game worlds into cinematic franchises that reinforce its IP across consoles, merchandise and theme parks.

Industry analysts say the project arrives at a favourable moment for game-to-film adaptations. Recent hits based on franchises like “The Last of Us,” “Five Nights at Freddy’s” and “Sonic the Hedgehog” have convinced studios that fan-driven properties can travel well if handled with care. Nintendo, once cautious about Hollywood after the 1990s live-action misfire, has now embraced a tightly controlled partnership model that keeps creator Shigeru Miyamoto and key executives deeply involved. Casting Larson and Safdie fits a broader trend of pairing bankable stars with stylised animation that can appeal to both children and adults.

Streaming dynamics also loom large in how “Super Mario Galaxy” will be rolled out. The first Mario film enjoyed a long tail on digital platforms after its theatrical run, strengthening Nintendo’s brand with younger viewers who discovered the games later. Distributors are expected to pursue a similar windowing strategy this time, balancing box-office revenue with eventual streaming deals that keep the characters visible year-round. If the film connects with audiences, it could accelerate discussions around further adaptations of Nintendo properties—from “The Legend of Zelda” to smaller cult favourites—and solidify the company’s role as a cross-media powerhouse rather than a console-only player.